2020 ÖKOZID
2017 BEUYS
As a director, she created iconographic images. After the Second World War, she always tried to deny her ideological proximity to the Nazi regime, strictly denying any interaction between her art, which celebrated beauty, health and strength, and the terror of the regime. The estate of one of the most controversial women of the 20th century tells a different story.
Under the patronage of
Generalkonsulat der Bundesrepublik Deutschland Mailand
2020 ÖKOZID
2017 BEUYS
Andres Veiel works on film and theater projects that often exist at the intersection of reality and fiction. His works are characterized by intensive research, sometimes spanning several years. For his films Winternachtstraum (1991), Balagan (1993), Die Überlebenden (1996), Black Box BRD (2001), Die Spielwütigen (2004), Der Kick (2006), Wer wenn nicht wir (2011), and Beuys (2017), he has received more than 50 awards, including the European Film Award and multiple German Film Awards.
His theater plays Der Kick (2006), Das Himbeerreich (2013), and Let them eat money (2018) have been performed on more than 100 stages worldwide. Andres Veiel teaches at various film schools and offers a documentary film masterclass at the dffb (Deutsche Film- und Fernsehakademie), guiding students from the initial idea to the completion of their films.
